Biography, if freed from the birth-to-death approach, is the most elastic of genres. Seldom has its flexibility been better demonstrated than by Despina Stratigakos, an architectural historian who combines meticulous research with elegance and wit: not qualities normally associated with biographers of Adolf Hitler.
No ordinary portrait, Hitler at Home plays with the ways in which the Nazi leader collaborated with his party propagandists to manufacture a counterpoint to all the marching, fist-waving, floodlights and glitz documented by Leni Riefenstahl. They devised “Hitler at Home”: lover of large dogs, flaxen-haired tots and mountain views.
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