Melvin Beaunorus Tolson (1898-1966)
Poet, educator, legendary debate coach
Grandson of slaves, Tolson graduated Lincoln University in 1924, and took a teaching post at the historically African-American Wiley University in Marshall, Texas. There, in addition to his classes, he ran the dramatic program and raised a champion debate team that won national fame for defeating the University of Southern California team in 1935. The team’s success was recreated in the 2007 film, The Great Debaters, with Denzel Washington playing Tolson (the film changed the matchup to one with Harvard).
In 1930-31 Tolson did graduate work at Columbia University, presenting a thesis on the writers of the Harlem Renaissance. He took up poetry in that period, though his first significant published work, Dark Symphony, won a competition in 1939. It was printed in The Atlantic Monthly in 1941, raising Tolson to national attention. He published his first collection of poetry in 1944, and three years later was named Poet Laureate of Liberia.
That year he took a post at Langston University in Oklahoma, there also teaching and directing the theater program. He was named permanent fellow in poetry and drama at the Bread Loaf writer’s colony in 1954, a year after winning acclaim for Libretto for the Republic of Liberia, an eight-part epic written for the nation’s centenary.He was also one of the founders of the Congress of Racial Equality.
Tolson also served as mayor of Langston for three terms, 1952-58. His last collection of poetry, published in 1965, won the praise of many critics, including John Ciardi, though, overall, his work did not enjoy the fame it might have had he not spent his career in the segregationist southwest. In the midst of his appointment as Avalon Poetry in the Tuskegee Institute, he was diagnosed with cancer and died in 1966.
Tolson’s poetry is rich and allusive, moving back and forth between high and low culture idioms. His work showed a progression from an easy accessibility that Langston Hughes praised, to a more complex modernist style as he found his voice. Since Tolson’s death, his work has received more scholarly attention as part of the reappraisal of the forgotten and overlooked African-American writers of the 20th century. The University of Virginia published his collected works in 1999.
A Song for Myself
I judge
My soul
Eagle
Nor mole:
A man
Is what
He saves
From rot.
The corn
Will fat
A hog
Or rat:
Are these
Dry bones
A hut’s
Or throne’s?
Who filled
The moat
’Twixt sheep
And goat?
Let Death,
The twin
of Life,
Slip in?
Prophets
Arise,
Mask-hid,
Unwise,
Divide
The earth
By class
and birth.
Caesars
Without,
The People
Shall rout;
Caesars
Within,
Crush flat
As tin.
Who makes
A noose
Envies
The goose.
Who digs
A pit
Dices
For it.
Shall tears
Be shed
For those
Whose bread
Is thieved
Headlong?
Tears right
No wrong.
Prophets
Shall teach
The meek
To reach.
Leave not
To God
The boot
And rod.
The straight
Lines curve?
Failure
Of nerve?
Blind-spots
Assail?
Times have
Their Braille.
If hue
Of skin
Trademark
A sin,
Blame not
The make
For God's
Mistake.
Since flesh
And bone
Turn dust
And stone,
With life
So brief,
Why add
To grief?
I sift
The chaff
From wheat
and laugh.
No curse
Can stop
The tick
Of clock.
Those who
Wall in
Themselves
And grin
Commit
Incest
And spawn
A pest.
What’s writ
In vice
Is writ
In ice.
The truth
Is not
Of fruits
That rot.
A sponge,
The mind
Soaks in
The kind
Of stuff
That fate’s
Milieu
Dictates.
Jesus,
Mozart,
Shakespeare,
Descartes,
Lenin,
Chladni,
Have lodged
With me.
I snatch
From hooks
The meat
Of books.
I seek
Frontiers,
Not worlds
On biers.
The snake
Entoils
The pig
With coils.
The pig’s
Skewed wail
Does not
Prevail.
Old men
Grow worse
With prayer
Or curse:
Their staffs
Thwack youth
Starved thin
For truth.
Today
The Few
Yield poets
Their due;
Tomorrow
The Mass
Judgment
Shall pass.
I harbor
One fear
If death
Crouch near:
Does my
Creed span
The Gulf
Of Man?
And when
I go
In calm
Or blow
From mice
And men,
Selah!
What . . . then?
#HenryBemisBooks #LiteraryBirthdays #AfricanAmericanPoets #MelvinTolson
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