For National Poetry Month: 30 Poets, #20, and his featured title

Henry Bemis Books is pleased to feature a major American poet who was recently in St. Petersburg ahead of the SunLit Literary Festival and Florida Antiquarian Book Fair:

Former Poet Laureate of the United States, Robert Pinsky will be at The Palladium at St. Petersburg College... https://t.co/D9p3cU81Wx

— Maureen McDole (@maureenmcdole) April 3, 2017

The Figured Wheel: New & Collected Poems 1966-1996 (Farrar Straus Giroux 1996, 1st ed.) ISBN 0-374-15493-7. Former US poet laureate’s collected works. Inscribed on the title page. Hardcover, unclipped dust jacket, very good condition, inscribed on the half-title page. HBB price: $60 or best offer!

Here’s some background on our featured poet:

Robert Pinsky (1940-  )

Poet, essayist, critic

• Premio Capri (Italian) in 2009
• Manhae Foundation Prize (Korean) in 2006
• PEN/Voelcker Award for Poetry in 2004
• Poet Laureate Consultant in Poetry to the Library of Congress (1997–2000)
• National Endowment for the Humanities Fellowship (1974)
• Stegner Fellowship in Creative Writing at Stanford University
• Saxifrage Prize (1980) for An Explanation of America
• William Carlos Williams Award of the Poetry Society of America
• Nominated for the National Book Critics Circle Award for Criticism (1988) for Poetry and the World
• Nominated for the Pulitzer Prize for Poetry (1996) for The Figured Wheel: New and Collected Poems, 1966–1996
• Ambassador Book Award in Poetry of the English Speaking Union
• Lenore Marshall Poetry Prize (1997) for The Figured Wheel: New and Collected Poems 1966–1996
• Los Angeles Times Book Award (1994) for The Inferno of Dante
• Book-of-the-Month Editor's Choice (1994) for The Inferno of Dante
• Academy of American Poets' Translation Award (1994) for The Inferno of Dante

From unpromising beginnings, Robert Pinsky has made a remarkable trajectory across American literary life, not least by being the only person appointed to three consecutive terms as Poet Laureate of the United States.

Of Pinsky’s becoming a poet, The Writer’s Almanac says:

His parents wanted him to be an optician like his father, but he chose to go to college, the first person in his family to do so. At Rutgers, he took a class on poetry his freshman year, and he was amazed by "Sailing to Byzantium" by W.B. Yeats. He said: "It was the speed with which he covered the ground. Wow: 'artifice of eternity'!'' Pinsky typed up "Sailing to Byzantium" and hung it on his dorm room wall, and decided to become a poet himself.

He went on to graduate school at Stanford. When he arrived at Stanford, he thought he was quite talented, so he took a bunch of his poems to the poet and critic Yvor Winters and announced that he hoped he would receive credit just for having written them. Instead, Winters read his poems for three minutes and then said, "Well, there may be some gift here, but it's impossible to tell, because you simply don't know how to write." Pinsky begged to be let into one of the professor's courses, but the prerequisite for all the other classes wasn't being offered that term. Winters took pity on Pinsky and offered to take him on as an independent study, and he became Pinsky's mentor at Stanford. Ten years later, Pinsky published his first book of poems,Sadness and Happiness (1975).

In 1993, a group of 19 poets, including Pinsky, were each asked to translate a section of Dante's Inferno for a reading at the 92nd Street Y in New York City. Pinsky was so excited by the work that he just kept going, and he ended up publishing The Inferno of Dante: A New Translation in 1995 to great acclaim.He said: "I got hooked on the technical challenge [...] It was more like having an absorbing new video game or sewing pattern or boat-building pattern than a large undertaking. It was like trying to master a song, or working on your jump shot or something. It was not consciously a scholarly or even a literary process: more athletic or musical or puzzle solving: working on a wonderful jigsaw puzzle or sudoku."

His books of poetry include The Want Bone (1990), Jersey Rain(2000), and Selected Poems (2011).

He said: "I think that if an audience for any art is having a good time, they are willing to suspend the need for comprehension for a while — that's part of the pleasure. [...] And if it doesn't sound good, it is boring even if we understand it. That's the trouble with a lot of boring art: you understand the stupid cop show, or the tedious sitcom gag, too soon and too completely. Same for the stupid middlebrow poem."

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