Friday, April 28, 2017

For National Poetry Month: 30 Poets, #28

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"To know what you prefer instead of humbly saying Amen to what the world tells you you ought to prefer, is to have kept your soul alive."

Robert Lewis Balfour Stevenson (1850-1894)
Author

A sickly, odd-looking boy, Robert Louis Stevenson- as he styled himself- grew into a sickly, odd-looking man. His family had cornered the market for Scottish lighthouse designers, one generation after another. His father hoped he’d come into the business, and the son studied engineering with no great will. But at 21 he said he wanted to be a writer, and his disappointed father consented- as long as Stevenson got a profession to fall back on. So Stevenson read law, joined the bar in 1875, and forgot all about being an advocate.

He’d published his first book at sixteen, and set off a-traveling, to find material for stories and a place where his health might improve. He indulged strenuous ventures like a canoe trip through France and Belgium, in between bouts of ill-health. But out of that trip came his first success, An Inland Voyage (1878). He cranked out two more travel narratives to score some cash, and pursue an American he had met called  Fanny Vandegrift Osbourne (his father forbade the romance and- when she returned to America in 1878- refused to pay for his son to follow her). A rather Henry Jamesian character, Osbourne had fled her philandering American husband and was studying art on the Continent.

Having raised the cash from his books- just- to join her, Stevenson- telling no one- booked passage on a tramp steamer for New York, then trained across America. His health failed again, and he was near death when he arrived at Monterey.

Once recovered, he made his way to San Francisco, hoping for a reunion with Fanny and earning his keep with laborious menial jobs and occasional journalism. Fanny got her divorce, and nursed him through another illness. They married in the spring of 1880. They returned to Scotland, where- confounding the usual end of such tales- Fanny endeared herself to the clan Stevenson.

The Stevenson family- Fanny had two children- settled in Bournemouth, and wintered in the south of France. Despite his health, Stevenson produced much of his best work in the next seven years- Kidnapped, Treasure Island, Dr Jekyll and Mr Hyde, and A Child’s Garden of Verses among them ( the last he wrote in 1885, recovering from a stroke that left him unable to speak, or write but at the level of a chil).

Of the greatest of them, The Writer’s Almanac says,

One day he found himself entertaining his stepson on a rainy afternoon in Scotland, drawing a treasure map. He became consumed with the idea of a story about buccaneers and buried gold and wrote the first draft in mere days. Stevenson said: “It was to be a story for boys, no need for psychology or fine writing; and I had a boy at hand to be a touchstone; Women were to be excluded.” The original title was The Sea Cook: A Story for Boys, and it was serialized in the magazine Young Folks. Stevenson used the pseudonym “Captain George North.”

Treasure Island introduced to the world to Billy Bones, Long John Silver, treasure maps with “x’s,” schooners, and one-legged seamen with parrots on their shoulders. The novel deeply influenced future writers like Ernest Hemingway and Vladimir Nabokov, though Virginia Woolf despised it. It was even adapted into an Italian/German science fiction film starring Anthony Quinn and titled Il Planeta del Tesoro, or Treasure Island in Outer Space (1987).

He also sat for three portraits by the up-and-coming American society portraitist, John Singer Sargent. Fanny didn’t like one of them, and later destroyed it; the two survivors show Stevenson in all his eccentric, if gaunt, magnetism, with Fanny, in one, barely visible.

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When Stevenson’s father died in 1887, Robert kicked off what few traces remained. He had long since dismayed his father’s hopes with his name change, bohemia dress, loudly voiced atheism, dilettantism (he wrote over 100 musical compositions) and general avant-gardeness. He packed up Fanny and the kids; they went back to California; hired a yacht, and sailed the Pacific.

A second voyage in 1889 brought them to Samoa, where he bought a large tract of land and settled in. He became a sort of community totem for the indigenous population, and adopted a native name for himself. His child-like side was never much below the surface: when he learned the American land commissioner’s daughter was born on Christmas Day, Stevenson executed a deed of gift of his birthday- November 13- so she could have a right one of her own. He collapsed and died December 3, 1894.

The Samoans stood watch over his body until daybreak, then bore him to a mountaintop grave.

Of Stevenson’s epitaph, Daniel Bosch wrote:

Stevenson’s fight with tuberculosis was more retreat than attack. A Scot, born in Edinburgh, he wrote beautifully from many places in whose climates he sought relief from the symptoms of his disease: Dorset, Davos, coastal California, Hy√®res, the Adirondacks, Hawaii, New Zealand. He died and was buried in Samoa, about 9460 miles from his birthplace, so Google tells me. In light of that fact, few lines pluck at one’s heartstrings so strongly as the sentimental fiction, “Home is the sailor, home from sea / And the hunter home from the hill.” Even on his own tomb, Stevenson tells us the story we want to hear regarding our own eventual resting places, though he must lie so far from home.

Fanny left Samoa, alternating between American and Europe for two decades. Her devoted private secretary, Ned Field, accompanied her everywhere. They were widely thought to be lovers, despite their 38-year age gap, and after Fanny died, Field married her daughter, Isobel, who was twenty years his senior. Isobel carried Fanny’s ashed back to Samoa and buried them next to Stevenson in 1915.

After World War I, Stevenson’s literary reputation slumped, with much that had been good from the old world. He occupies a secure niche as a young adult adventure and horror author, but his poetry, essays, short stories and songs have only begun to receive critical acclaim in this century. From the 1970s to the end of the twentieth century, several of the major anthologies of English literature omitted him entirely.

Adopting the Samoan practice of making a prayer at day’s end, Stevenson composed a series for his household, which Fanny published as Prayers Written at Vailima” in 1903. This is one:

Lord, behold our family here assembled. We thank Thee for this place in which we dwell; for the love that unites us; for the peace accorded us this day; for the hope with which we expect the morrow; for the health, the work, the food, and the bright skies, that make our lives delightful; for our friends in all parts of the earth, and our friendly helpers in this foreign isle. Let peace abound in our small company. Purge out of every heart the lurking grudge. Give us grace and strength to forbear and to persevere. Offenders, give us the grace to accept and to forgive offenders. Forgetful ourselves, help us to bear cheerfully the forgetfulness of others. Give us courage and gaiety and the quiet mind. Spare to us our friends, soften to us our enemies. Bless us, if it may be, in all our innocent endeavours. If it may not, give us the strength to encounter that which is to come, that we be brave in peril, constant in tribulation, temperate in wrath, and in all changes of fortune, and, down to the gates of death, loyal and loving one to another. As the clay to the potter, as the windmill to the wind, as children of their sire, we beseech of Thee this help and mercy for Christ’s sake.



Bed In Summer

In winter I get up at night
And dress by yellow candle-light.
In summer quite the other way,
I have to go to bed by day.

I have to go to bed and see
The birds still hopping on the tree,
Or hear the grown-up people’s feet
Still going past me in the street.

And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?

The Moon

The moon has a face like the clock in the hall;
She shines on thieves on the garden wall,
On streets and fields and harbour quays,
And birdies asleep in the forks of the trees.

The squalling cat and the squeaking mouse,
The howling dog by the door of the house,
The bat that lies in bed at noon,
All love to be out by the light of the moon.

But all of the things that belong to the day
Cuddle to sleep to be out of her way;
And flowers and children close their eyes
Till up in the morning the sun shall arise.

Picture-Books in Winter

Summer fading, winter comes—
Frosty mornings, tingling thumbs,
Window robins, winter rooks,
And the picture story-books.

Water now is turned to stone
Nurse and I can walk upon;
Still we find the flowing brooks
In the picture story-books.

All the pretty things put by,
Wait upon the children’s eye,
Sheep and shepherds, trees and crooks,
In the picture story-books.

We may see how all things are
Seas and cities, near and far,
And the flying fairies’ looks,
In the picture story-books.

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